August 2009 Archive

Magic in Avalon

This Chapter (Chapter 7) was intended to contain a section clarifying the uses and application of the magic in Avalon; It does not. The reason for this was there was simply too much exposition in this chapter. Finch and Pixel explain much of the inner workings of Avalon to Chloe as well as the gender discussions mentioned in the previous post. I thought of adding another few pages that outline how/when the fairies and muses use their magic, but there was just no room.

So, we wait until Chapter 8 for the explanation. Here is a quick cheat sheet though, if you are interested.

The core of magical energy that powers all of Avalon flows in and out of our world and theirs. The fairies have found a way to harness this energy for a few different uses.

The first is as a simple power source similar to electricity. This fuels Avalon and all of their technology. Having access to such power for so much longer than humans is responsible for a good deal of the advanced instruments and machinery seen within Avalon.

The second is elemental magic. Each of the fairies is able to manipulate one of the four elements by controlling the magical sources inherit in each. They do so with varying degrees of success and proficiency. All fairies have access to only one of the elemental magics. For example Finch uses Earth Magic, and Basil Fire magic. The muses have power over all four.

The third and most powerful is wish magic. The ancient contract with the gods that allows every human to have one wish answered when they first plead aloud three times for something. If you have been following Claviger, you know much of the story pivots around Finch’s failure to answer Chloe’s wish. We have learned that much of this scenario was set in place by Lancelot in order to create a Claviger and find away into Avalon. Lancelot himself is the one other wish failed to be granted when the muses refused to give him the sword Excalibur.

Perhaps wish magic is powerful enough that events will shift and change until the wish is granted, even without the help of a Wishkeeper?

August 28, 2009 | No Comments

Gender Assignment (Chapter 7, Page 17)

Last week I received a comment on a Claviger that read “Cool. I had kinda wondered how Goody Finch changed genders.” This was posted on the page of Finch explaining to Chloe that the Fairies of Avalon are genderless. Gender notions are a bit of an underlying thread in Claviger and this is something I had intended to bring up earlier in the series but there was not a place to do so without it feeling forced.

The idea of a world where there is no gender aside from what the inhabits apply to themselves fascinates me. Would relationships (not necessarily romantic ones) be based much less on preconceived notions? Or would something like class or occupation become that much more important? Avalon being somewhat of utopia implies there aren’t such boundaries. Except of course a slight prejudice against Finch who had once been human.

On the page posted today Chloe learns that Finch had once been a woman. This alters her view of him, even is she would prefer it did not. Should it though? She had no problems when she had found out he had no gender. Now she must decide if a past, but lost, gender identity or assignment would change who he is in her eyes.

August 14, 2009 | No Comments

A Death Wish (Chapter 7, page 16)

Until this point in the story wishes and wish-keeping had been shown in only a positive light. Human nature being what it is, I couldn’t imagine every thing every one had ever wished for would be positive. Sadly.

Finch has obviously seen this kind of thing before. Is Chloe right to be horrified?

I should add also, that the toning and first part of this page were done by Julie behn.

August 7, 2009 | No Comments